When the world of documentary films became a factory production line, I fought back

In 2011, I suggested to family friends who were looking for projects for their old farmhouses and barns in Kent, that we run a film festival. We would turn their old barns into screening rooms, and guests could camp out in the field. They loved the idea, and we soon created the Quadrangle Film Festival – now called Otherfield.

At the time, it felt like the most natural thing to do. The Quadrangle was a place that I had been visiting since childhood, and the huge granary barn and surrounding fields formed the most natural setting for camping and cinema. Like many of my friends, I was carving out a path in the strange world of creative documentary-making. More than anything, I longed for a place where we could gather, talk, watch and share experiences with like-minded others.

Our raison d’etre was that we were filmmakers creating a space for filmmakers. It was a radical idea when set against the industry’s competitive world of TV commissioning and selling that was threatening to overtake all creative practice in non-fiction filmmaking.